Susa Templin has moved from blue to green. Her works once featured azure swimming pools, air bubbles, and liquid skies; now they include verdant branches, nylon lawns, and urban jungles. They have moved from underwater to interforrest, from negative architecture to negative agriculture. But this move accompanies another, more important transition: from photographs of reality to photographs as reality; from images on walls to images instead of walls: from display to environment. In other words, from landscape to landscaping...